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When she is gone, Geoffrey walks impatiently up and down the small hall, conflicting emotions robbing him of the serenity that usually attends his footsteps. He is happy, yet full of a secret gnawing uneasiness that weighs upon him daily, hourly. Near Mona—when in her presence—a gladness that amounts almost to perfect happiness is his; apart from her is unrest. Love, although he is but just awakening to the fact, has laid his chubby hands upon him, and now holds him in thrall; so that no longer for him is that most desirable thing content,—which means indifference. Rather is he melancholy now and then, and inclined to look on life apart from Mona as a doubtful good.,

"And I feel just as if he had gone quietly to bed," says,

Slowly he draws from his pocket a paper, folded neatly, that looks like some old parchment. Mona draws her breath quickly, and turns first crimson with emotion, then pale as death. Opening it at a certain page, he points out to her the signature of George Rodney, the old baronet.,

"You are an angel," says Nicholas. And, indeed, considering all things, it is the least he could have said. "If we weather this storm, Dorothy," he goes on, earnestly,—"if, by any chance, Fate should reinstate me once more firmly in the position I have always held,—it shall be my proudest remembrance that in my adversity you were faithful to me, and were content to share my fortune, evil though it showed itself to be."

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Mr. Darling is a flaxen-haired young gentleman of about four-and-twenty, with an open and ingenuous countenance, and a disposition cheerful to the last degree. He is positively beaming with youth and good spirits, and takes no pains whatever to suppress the latter; indeed, if so sweet-tempered a youth could be said to have a fault, it lies in his inability to hold his tongue. Talk he must, so talk he does,—anywhere and everywhere, and under all circumstances.,

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"You don't know what you are talking about," says Doatie, vehemently. "Every one of those interminable half-hours will be a year off your life. Mr. Boer is obnoxious, but Florence is simply insupportable. Wait till she begins about the choir, and those hateful school-children, and the parish subsidies; then you perhaps will learn wisdom, and grow headaches if you have them not. Violet, what is it Jack calls Mr. Boer?",

"What a day we're avin'," says Mr. Darling, disdaining to notice this puerile remark. "It's been pouring since early dawn. I feel right down cheap,—very nearly as depressed as when last night Nicholas stuck me down to dance with the Æsthetic."